Because Sydney is better than Melbourne... [audience laughs] it's nothing personal, you just know it's true, because we've got it all, we've got cocaine and hookers and last year a guy in an accounting firm got done for sexually interfering with a rabbit [audience pisses themselves]
[to audience heckle] how's my ear? Or how's my rear? My rear's fine, my ear's not so good... you better hope your rear's this great when you're 53. ... actually, I'm only 26, I've just had a really hard life.
Interestingly, Kilbey actually looks better now than he did 20 or 30 years ago, an impressive feat (and a point of interest for The Fauves' Andrew Cox, who bears a startling resemblance to Kilbey). Apparently some bloggers have already dismissed The Church's support slot as crap - that's unbelievable, the sound was great and the music sexy. If you're going to catch this show on tour, just relax and enjoy the trip.
Enjoy the literary stylings of Steve Kilbey
*After I wrote that I only knew two songs, I searched YouTube and realised that, actually, I know more than I realised. Here's a good one, Reptile, chosen because it's representative of The Church's show tonight and because Kilbey looks fucking hot in the video.
Divinyls came on looking a bit stiff and haggard. Chrissie, as you know, has multiple sclerosis, causing people to point and go "ha ha, she's pissed" - but to be honest, so far it doesn't seem to be affecting her a lot. She's a bit slower than she used to be, but fuck me, SHE'S CHRISSY AMPHLETT AND SHE PWNS YOUR SORRY LITTLE ARSE. And she would do so in a wheelchair with a nebuliser and a colostomy bag.
In any case, the band loosened up after about four songs and you'd never know they were entering their 50s after a life of partying hard. I just discovered that Chrissie is married to the Divinyls' current drummer Charlie Drayton, which makes for an interesting in-band dynamic given her relationship(s) with Mark McEntee. Onstage Amphlett, McEntee and occasionally even Owen bicker like an old married couple, which is hilarious to watch. Everyone in the band's really old but they still rock like motherfuckers.
As always happens when I see bands I like a lot, my favourite live songs were the ones I don't necessarily like so much at home. I was a bit disappointed with Only Lonely, and why wouldn't I be? It's only one of my favourite songs of all time. Whereas the duellin' guitar between Mark McEntee and Charlie Owen on Make Out Alright was frickin' awesome, and the new tracks Don't Wanna Do This and Asphyxiated rocked much harder than on the free single we were given as we went into the show. (I actually like Asphyxiated much better than Don't Wanna Do This - when I first heard it I thought it must have been a song I didn't remember from Monkey Grip.) I was also very happy to hear a comparatively obscure fave, Guillotine Day from the excellent What A Life! album. Unsurprisingly, the highlight of the night was I Touch Myself, which I've been singing all night despite my inability to hold a tune if you glued it to my hand.
As I mentioned on my Stereo Total post, my favourite bands have a nasty habit of not playing MY favourite song live. In the case of the Divinyls, that's this one here.
[EDIT: Adem with an E has a great post with some footage from the Geelong gig taken by mobile phone. And great to see I'm not the only one who missed Siren!]
It took me about four years to get into Electric 6, mainly because Danger! High Voltage! is, if not a novelty song, close enough if you need one. What converted me was the discovery that E6 are basically AC/DC on acid and possibly sleep deprivation. They bring the riffs and every other song is about fucking, with the additional benefit of strange, original and thought-provoking lyrics (admittedly, the thought is usually "WTF?").
Stumble It!